Win the only Gibson SG Relentless in the world
“It’s the most heavily customised guitar I’ve done in ten years,” says Walker. “And it’s unique because as much attention has gone into the feel and playability of it as has gone into the aesthetics.”
“One of the key philosophies of Parkour is être et durer, to be and to last. We want to be able to do this for a long time." James Gore, 20, from London, UK
"Parkour is a metaphor for life itself. In life, you come across many obstacles. If you go around the obstacles, you may lose your way, but if you use those obstacles to move you forward, as you do with Parkour, then you will become stronger.” Yao Gogoly, 28, from Paris, France
“You get the philosophy of Parkour through the training; there is absolutely no part you can slack on; it’s about constant repetition. The amateurs keep doing it until they get it right; the pros do it until they can’t get it wrong." Brian Appiah Obeng, 32, from Edmonton, UK
Continue Reading"It’s not about doing it nine times out of 10; it’s doing it 100 times out of a 100. Now I see spaces and structures in such a different light. It’s truly captivating.” Brian Appiah Obeng, 32, from Edmonton, UK
“There is always a difference between your mental and physical barrier. After training for so long, you are physically capable, but you have to think logically, and mentally overcome things to push the limits. Once you confront your fears, it sets you free." Andy Pearson, 29, from London, UK
"Parkour is a discipline, but when you start bringing in your own flair to the moves, it becomes an art.” Andy Pearson, 29, from London, UK
Photography: Spencer Murphy
The urban landscape. Not a concrete jungle but a human ?zoo. Flocks herded at the whims of architects and planners ?by fences, roads, pavements and bollards. Stifling movement and choking the senses.
But some do not see - and do not believe - that any way is shut. For them, where there is a fence, there is also a hurdle; where there is a building, there ?is also a ladder. Utilising nothing but primordial agility, these Artists climb, swing, vault and run, navigating their own path through the asphalt, an urban canvas of infinite possibility.
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“It’s the most heavily customised guitar I’ve done in ten years,” says Walker. “And it’s unique because as much attention has gone into the feel and playability of it as has gone into the aesthetics.”

It’s been in production for months, seen us journey to the ends of the earth and represents the second feature-length chapter in the meandering, cinematic adventure deep into the realm of personal obsession and heroic artistic pursuit.